Showing posts with label violence. Show all posts
Showing posts with label violence. Show all posts

Wednesday, November 5, 2014

Donnybrook





Frank Bill
Donnybrook

William Heinemann, 2013

«Donnybrook was a three-day bare-knuckles tournament, held once a year every August. Run by the sadistic and rich-as-fuck Bellmont McGill on a thousand-acre plot out in the sticks. Twenty fighters entered a fence-wire ring. Fought till one man was left standing. Hordes of onlookers-men and women who used drugs and booze, wagered and grilled food-watched the fighting. Two fights Friday. Four Saturday. The six winners fought Sunday for one hundred grand.»

At this tournament on a remote farm, sooner or later the protagonists of the debut novel by Frank Bill will gather to settle things. Someone will come as a fighter, someone as an onlooker, and someone will come here for other reasons.

The main characters of the novel are the fighters, in the sense that they are ready to defend what is theirs and fight for what had been taken away from them. Coincidentally, four of these characters are also bare-knuckles fighters that can compete for the top prize. Jarhead robbed a gun shop to get money for the fee for the tournament, and only wants to feed his family with the money won («I's hungry, Dada») and to cure an ill back of his wife. Angus and his sister Liz before the tournament won’t divide rightfully cooked drugs and will scatter in different directions, Liz in the company of another fighter named Ned, they as a team will sell meth during the tournament. Deputy Sheriff Whalen rushes for Donnybrook to get revenge. A Chinese named Fu will look at the tournament for the people who owe money to his boss.

Each character has its own motivation, everyone arrives at Donnybrook as to some place where the dreames come true, and by the start of the tournament there will be several lives taken by each main character. Personality of these characters should represent the greatest interest to us, because the tournament itself is crumpled, fistfishts remain in the background, and - spoilers - because of general chaos the tournament will be disrupted, and all that remains of it will become a great slaughter.

Actually, the events preceding the tournament, which reveal the nature of the violent people of Southern Indiana, are the best part of the novel. The closer to the finale, the more boring the novel becomes, despite the seemingly appealing knuckle fights. The problem of the book is just that it becomes non-stop action, and that in itself becomes too much and makes too little sense. With each chapter the heroes’ teeth, heads, kidneys and thighs are kicked in, but they ignore all that, and they like zombies crawl to Donnybrook as if there human flesh awaits them. Instead of a play of characters we get a play of rifles and fists, and dialogues’s semantic sense decreases rapidly («Spit and hollered," Fucking-fuck-fuck-fucker! "»). When everyone is fighting with everyone - it's tiring.

In his short stories from his debut collection Frank Bill saw some big picture. Bill created the mythology of his native land. In those stories were mundane wisdom of a person for whom violence was a form of existence. In Donnybrook the author as if destroys his own mythology. No wisdom here but only a scuffle. All is solved by a gun, there is no difference who you are.

Bill makes no attempt to get to the causes of criminal life in Southern Indiana. One of the characters, Purcell, makes superficial conclusions:

«He was honing an edge. Thinking about what he'd read in the newspaper earlier in the day, about wage cuts and unemployment. How companies across the U.S. were in a slump. Some were sinking while others tried to do more with less. The American way had expired, been lost somewhere. Now it seemed to work in the US just meant you were a number trying to make big numbers for the men above you. And if you could not do it, there was another number that could.»

Ragged style suits the lifestyle of characters:

«A deafening blast erupted from the .30-30's barrel. Half the officer's face opened. He stutter-stepped backward, fell out the doorway. His body spread out like a puppy-soiled rug on the porch, wet and spotted.»


Only the style, too, becomes stale in the second half, turning into a parody of itself:

«Fu sat in the Jeep's passenger seat meditating on needles puncturing skin. Tethered bodies. Inhales and exhales of pleading. Breaking a man's will. Loyalty.»

The first half of the novel, one that recalls the best Bill stories claims the real depth, and the second one is smeared with action bordering on self-parody. Perhaps the best is to re-read Bill’s short story collection.

Thursday, November 7, 2013

All the Birds, Singing





Evie Wyld
All the Birds, Singing

Jonathan Cape, 2013

Jake Whyte, a fit young woman, lives alone with her dog Dog on a farm on one of the British Isles and breeds the sheep. Jake finds the first lamb torn to pieces, and then the second. Who mercilessly kills animals is not clear. Jake suspects foxes, violent adolescents, although it is also possible that behind the killings is some mysterious beast.

Jake lives on her farm as a recluse, not socializing with the locals: does not go to the pub, does not make friends easily, rarely asking for help from Don, a neighbor, who sold her the farm. Therefore, when the sheep begin to disappear, the woman has no one to turn to for help. She goes to the police station, but a policeman does not take her complaint seriously and instead of searching for sheepkillers offers Jake start dating.

This story line that takes place in the present, is developing quite quickly and in a straight chronology. But of Jake’s past we learn gradually, from the chapters of the narrator’s past in Australia, and these chapters are arranged in reverse order, from the adult years before moving to the island to the children's age.

From the chapters of the past, we learn why Jake has scars on her body, why she is sleeping next to a shotgun, why she avoids men at the pub, and why she ran away from her life on the green continent.

All the Birds, Singing is as if in the film «Memento» the main character was replaced by a woman and added some mystique. It’s a very poignant book, which uniquely blends brutality with kind-heartedness. The main character finds a wounded pigeon with a label and calls the owner, but in the excitement she turns kills a pigeon. Jake takes care of sheep and ensures that shearing sheep is not hurt, but she shoots the sheep, when it seems that this is creature in the bushes. She loves her dog, but during the escape she accidentally runs over her kidnapper’s dog.

Jake herself is an unusually fragile person, but with a crack inside. She swears, knows how to shoot a gun, able to fight men back, but blushes when she suddenly blurts out his feelings to Lloyd.
On these joints the entire novel is built. If we take the structure of the book, it can be seen more clearly. The present plot line goes from terrible to more humane, the past plot line - from innocence and simplicity to the horror and deception. In this case, it seems that violence accompanies Jake always and everywhere, wherever it may be, in Australia or Britain.

In this violence lies uncompromising attitude of Evie Wyld. Her novel is an honest portrait of a flawed heroine trying to survive in the tough world. But salvation does not come. Though something strange and inexplicable is coming. You can not escape from the demons, if these demons are inside you.

The novel is written in the first person and in present tense. Chapters about the past are not flashbacks. The heroine does not recall anything, she doesn’t tell her story: the past itself erupts into the present. With every return to the past the narrator experiences physical violence, and the reader simply can not remain indifferent to this terrifying story .

The appearance of a man in the life of the main character makes this book more optimistic, no matter how it may seem. You can exorcize the ghosts of the past, you just can not do it alone. Then the birds will sing.