Monday, December 31, 2012
I read this year much more than in 2011, but a lot of good books I read were published earlier, not in 2012. I haven't had a chance to review all of the books below, and I hope I'll find the time to review those that were left unreviewed.
Defending Jacob, by William Landay
The Chemistry of Tears, by Peter Carey
The Land of Decoration, by Grace McCleen
Canada, by Richard Ford
Arcadia, by Lauren Groff
A Hologram for the King, by Dave Eggers
Flight, by Adam Thorpe
The Devil I Know, by Claire Kilroy
The Yips, by Nicola Barker
The Bitch, by Les Edgerton
Ancient Light, by John Banville
Blackbirds, by Chuck Wendig
Автор: Ray Garraty на 2:37 PM
Sunday, December 30, 2012
I included in this list those books that were published before 2012 but were read by me this year. In no particular order:
The Best American Noir of the Century, ed. by Penzler and Ellroy
A Single Shot, Matthew F. Jones
The Brief Wondrous Life of Oscar Wao, by Junot Diaz
The Dispatcher, by Ryan David Jahn
Savages, by Don Winslow
Act of Fear, by Michael Collins
Benny Muscles In, by Peter Rabe
Million Dollar Baby, by F.X. Toole
Brown's Requiem, by James Ellroy
Dead Money, by Ray Banks
Killy, by Donald Westlake
The Hunter, by Richard Stark
Dark Places, by Gillian Flynn
Interface, Joe Gores
High Priest of California, by Charles Willeford
Wild Wives, by Charles Willeford
The Cold War Swap, by Ross Thomas
Psychosomatic, by Anthony Neil Smith
Kiss Tomorrow Goodbye, by Horace Mccoy
The Best American Noir of the Century, ed. by Penzler and Ellroy
A Single Shot, Matthew F. Jones
The Brief Wondrous Life of Oscar Wao, by Junot Diaz
The Dispatcher, by Ryan David Jahn
Savages, by Don Winslow
Act of Fear, by Michael Collins
Benny Muscles In, by Peter Rabe
Million Dollar Baby, by F.X. Toole
Brown's Requiem, by James Ellroy
Dead Money, by Ray Banks
Killy, by Donald Westlake
The Hunter, by Richard Stark
Dark Places, by Gillian Flynn
Interface, Joe Gores
High Priest of California, by Charles Willeford
Wild Wives, by Charles Willeford
The Cold War Swap, by Ross Thomas
Psychosomatic, by Anthony Neil Smith
Kiss Tomorrow Goodbye, by Horace Mccoy
Saturday, December 29, 2012
Tuesday, December 18, 2012
Crime Factory: Hard Labour
Crime Factory Publications, 2012
Australia is far from the other continents, but its geographical location does not detract from the fact that in Australia they write good literature, too. Workers of the Crime Factory’d made the second anthology, this time – all-Australian. Short stories for an anthology are written by writers who live or lived in Australia. Among the authors there are veterans who published dozens of novels, and novice, who published less than a dozen stories.
Among the obvious advantages of the collection is correct placement of stories (thanks to the editors). «Hard Labour» starts with strong stories and also ends with them. All that is in the middle is of varying quality. The first two stories are authored by Garry Disher and Leigh Redhead, known outside their native continent. Disher presented brilliantly plotted «Wyatt's Art», the story about a professional burglar Wyatt. To enjoy the story, it is not necessary to know what happened in the previous novels about Wyatt. «Grassed» by Leigh Redhead is much more emotional and more "Australian". Drugs, free love, communes - it's all there on the green continent, adjusted for local color. «Killing Peacocks» by Angela Savage is a neo-noir story of domestic violence, with a grim finale.
After the kick-start there is a bulk of the stories, which are well-written, but devoid of anything that would make them stand out from the dozens of other similar crime stories.
Among the names, I had little or no knowledge, it is worth noting David Whish-Wilson with his «In Savage Freedom», a grim story of a father who is out of prison and wants to save his son from the criminal world, and Andrew Nette, with «Chasing Atlantis», a story that best reveals the specificity of Australian crime. Doomsday cult, rapists of minors, fields planted with marijuana, a conman, specializing in cult rip-offs - the story deserves the award as "the most Australian."
Rounding out the collection two works of masters, Adrian McKinty («The Dutch Book») and Peter Corris («Prodigal Son»). The action in «The Dutch Book» takes place in Boston, but the main character is Australian. The story is about that life in general is a dangerous game, and gamblers know about it more than anybody else. «Prodigal Son», the story of a private investigator, is interesting in how Corris makes his detective Cliff Hardy not a knight on mean streets, frozen in the 40's, but the modern detective, using modern technology. Although in terms of morality Hardy is old-fashioned chap.
After the heavy shift this anthology is what needs to relax and get to know about the dark side of Australia.
I rarely do such a thing as posting there some sort of promotional material, but I've been a fan of Open Road Media for a long time, I thought I'd post there their new video profile where Ken Bruen looks at Irish Noir.
These video materials are surely admirably directed and deeper than any book trailers as you can find on the Internet. I believe the future is in video like this, with focus on writer, not a particular book.
MysteriousPress.com is bringing back Ken Bruen's The White Trilogy in print and electronic format. In Bruen¹s The White Trilogy, he explores the dark, seedy streets of London through the eyes of two tough, aging cops on their search for their 'White Arrest'every policeman¹s dream, the White Arrest is a high-profile success that makes up for all past failures. For Roberts and his brutal partner Brant, this means going up against a mysterious hitman in Taming the Alien, and a cunning kingpin in The McDead.
Monday, December 17, 2012
Anthony Neil Smith
Self-published ebook, 2011
(originally published by Point Blank in 2006)
Because Lydia didn’t have arms or legs, she shelled out three thousand bucks to a washed-up middleweight named Cap to give her ex-husband the beating of his life. Before the car wreck took her limbs, she was in control of Ronnie. She kept the house, the Lexus, and got a generous check every month. Thankfully they never had kids, so the money was hers to do with as she pleased—Caribbean trips, an interior designer, acceptance in the power circle of Gulf Coast doctors, lawyers, casino investors. Then an SUV turned her sporty coupe to scrap and Lydia to a quad amputee.
Even having lost arms and legs, Lydia could not forgive her ex-husband his outright mockery: bastard brought a girl into Lydia’s house and forced Lydia to watch as he’d had sex with a girl. But the attack on her ex-husband goes awry, he was indeed murdered, so was the middleweight. Murderer, against all the circumstances, is a fat gambler Alan Crabtree, which original plan was to shoot the beating on video. Bringing the videorecord to Lydia and hoping to get some money from her, Alan tries on the role of Lydia’s lover. A lover, but a nurse for her, too: he helps her bathe, eat, deal with prostheses, he takes her out of the house. Alan sees Lydia as a gentle creature that needs care and warmth. Lydia gives him an allowance, and Alan, instead of looking for a job, gamles her money away. Soon the work for Alan appears: Lydia, whose husband was a cocaine dealer, promotes Alan as a hit man, and Alan gets the first customer, an old friend of Lydia, the dealer as well.
Alan has to kill another dealer, a partner of the late Ronnie. Alan, who is no murderer at heart, begins to muddy the waters and waste time when in the story come a couple of car thiefs, who know Alan pretty well.
Next we read about murders, chase through several states, revenge psychopath, in general, all the range of pulp pleasures. The story is told from different points of view, from Alan and Lydia to the car thiefs, the dealer and the strange girl dressed as a nurse. Legless and armless, Lydia is the axis around which novel’s events evolve. But Lydia is the least convincing character there. She is, of course, femme fatale, straight from film noir more than half a century ago, but at the same time, she is not the typical femme fatale. In «Psychosomatic» she plays with several men, trying to get what she wants, but she is not a senseless bitch, who cares only for money or power. She needs a man who always would care about her, but she at the same time does not want a one man, and she needs two, three, so that they’d adore her. Men are not ready for such a scheme and don’t want to share Lydia with someone else.
Anthony Neil Smith in his debut novel combines captivating authenticity in detail with grotesquely plot, and one can only encourage this combination.
Fast, agile, explosive book with the finale at the airport, just as exciting, as was exciting airport finale of «The Hunter» by Richard Stark.
Thursday, November 22, 2012
Bare Knuckles Press, 2011
Jake, a former thief, changed profession. Now, instead of locks and safes, he works with hair. He is a stylist at the beauty salon and plans to open his own business. Jake was in prison twice, but his boss does not know about it, and he doesn’t need to know. Jake is not going to prison for a third time, because the third strike for him will be the last. He finally goes straight, graduated from college, married a lovely woman by the name of Paris, with whom he takes care of his younger brother Bobby. The parents of the two brothers were burned in their own house, and since then, big brother has been looking after younger.
Only a bright future ahead, until one day, a phone rings. Jake’s cell-mate Walker Joy calls Jake and asks him for a favor. Four years Jake has not seen Walker and dreamed that he will not see him ever. Now Jake can not send Walker back to where he wants to, because the Walker saved Jake's life in prison. One favor for another, especially as Walker has a few secrets about Jake. If these secrets will be known to cops, Jake may have to prepare for a life sentence already.
Walker recently released from prison, and he is in need to earn extra money. On a tip from a jeweler Walker should rob another jeweler, and Jake just has to help with the safe. Robbery plan is designed so that success should be one hundred percent. Jake, agreeing to help, knows that he can already say goodbye to his new life.
The Bitch from the book's title is a slang expression that criminals use in relation to the law of the three convictions.
«He knew what it meant all right. The Bitch. Three strikes and you're out. Ha-bitch-ual criminal. One more pop and I knew the judge would be peering down at me over his wireframes and saying, "Jacob Bishop, I hereby sentence you to life imprisonment. Have a nice day, loser." Just the thought made my balls shrivel up and the back of my neck ache.»
Jake through the whole book walks with the idea of returning to prison, that's what he fears most. «The Bitch» is a huge snowball, which runs directly on the main character, along with the reader. Jake makes one choice after another, he takes a step to the left and step to the right, but the snowball continues to bear down on him. All that is done, for the better. All that is not done, for the better. But all of that is done and is not done, for the worse. And isn’t it what life is if not all that you are doing and not doing?
«The Bitch» is a novel about that mistakes can not be corrected. Everything that you do to correct the mistakes is even bigger mistakes. Novel offers many plot turns, connected with Jake’s mistakes so «The Bitch» without thinking is probably the most unpredictable of all the novel I've read this year. Thus it is necessary to make allowance for the fact that the book is written in noir traditions, and this would mean that we know from the start, how it will all end.
In addition to his other qualities, «The Bitch» stands out its enviable authenticity. Jake and Walker think like real ex-cons, behave like real ex-cons. Les Edgerton himself had prison experience, he knows the mind of an ex-con far and wide. The difference between the characters, created as a hypothetical and based on actual experience, can be almost invisible, but it is felt.
Uncompromising finale completes this dark novel. Sometimes death is the way out.
Monday, November 19, 2012
Blasted Heath, 2011
Alan Slater has got problems. He sells windows, but doesn’t give a damn about job lately. He cheates on his wife, and his marriage is about to fall apart. He has fun in bed with a young student, but shecan send him away any time. But the biggest problem for Alan is his mate Les Beale of uneven temper.
Beale is a gambler, a drinker and owner of a shitty personality. Alan’s colleague in sales office, Les no longer appears to work, all the time hangs in casinos and bars, getting drunk. Les has already hit the black list of most Manchester gambling venues, and it is not surprising, taking in account his temper: at the very beginning of the novel he breaks a nose of one of Chinese gamblers.
Alan is the only one who tolerates the company of his violent friend, but his patience is going to the end. Things at work and at home are deteriorating and then Les makes Alan’s life even worse: engages in illegal card game and kills one of the gamblers. Alan realizes that his past problems are nothing compared to those that had yet to be solved.
Ray Banks, in his re-written debut, follows old traditions of noir, making his protagonist a sales agent. Give your hero profession of a salesman, and be sure that this character just will get plenty of trouble. The worse things get for Alan, the more fun for the reader. Banks knows how to make a character unstable, cruel, selfish, dark, but at the same time attractive. And what is the sales agent if he is devoid of charm?
«Dead Money» is a story about the deadline in human life, if it exists. You temporize and put off major doings and solutions to the very limit, hoping that there is still time, but it turns out that it's too late - the deadline has long past.
Ray Banks is a breath of fresh air in British literature, stinking moldy stuff of police procedurals.
Friday, October 26, 2012
Act of Fear
Open Road Media/Mysterious Press e-book, 2012
(originally published in 1967)
«It began with the mugging of the cop.
Person or persons unknown jumped the patrolman in broad daylight on Water Street near the river, dragged him into an alley, and cleaned him out. No witnesses. This is the lower west side, the Chelsea district, where alley windows are boarded up and people do not see what they’re not sure they should see.
We all knew the cop: Patrolman Stettin. He’s a young cop, Stettin, not long on the force and still eager. We all heard that he felt so bad about being taken that he offered to quit. That shows how young he is. Sooner or later everyone is taken in this world. This time the mugger took it all: billy club, pistol, cuffs, summons book, watch, billfold, tie clip, shoes, and loose change. The mugger was good. Stettin never even saw a shadow, according to the report I heard.»
What a beginning! Everything really began with the mugging of a cop, and in a few days private detective Dan Fortune is hired by a young client. Pete Vitanza, college boy practicing as a mechanic, can’t find his best friend, Jo-Jo Olsen, also a mechanic who is obsessed with motors and interested in Vikings. The boy did not come for work, and parents say that he had gone somewhere, but Pete feels something’s wrong and pays detective fifty dollars (big money for a boy), that he’d find Jo-Jo. Fortune thinks Olsen certainly has gone with some girl and will soon appear, but to appease the conscience, decides to fulfill the received fifty dollars and ask around here and there. Fortune guesses that either the Olsen mugged the patrolman or saw who did it, that's why he went into running. Detective looks for a fugitive for three days and have already decided to quit the case, did not find any clues, as in the alley Fortune is attacked by a burly man who threatens that Fortune should forget about Jo-Jo and mind hos own business. The big man is the father of a runaway boy, and it finally convinces detective, that something is wrong with the Jo-Jo case. Later the local mafia is mixed in the case, the blood will spill, and apart from the search for Olsen Fortune will have to save his own life.
«Act of Fear» is the first book in the series about one-armed private detective Dan Fortune, and this book will knock you down. Friends, whom Fortune has got not much, called the PI Pirate: nickname stuck after Fortune in his youth had lost an arm. He does not like to tell the real story, which is nothing to be proud of, often inventing new and new stories about losing his arm. Detective though does not feel flawed: in the text, he never calls himself disabled, and others do not attach much importance to the one-armed (in the novel, there is one scene where a dumb girl begins to laugh at one hand). Despite the absence of the left hand, the detective did not allow himself to be an insult.
Fortune is a loner, a soul who cares for all the downtrodden. He walks down the mean streets of New York’s Chelsea, and his way is hard. He himself is a child of slums and musty apartment buildings, he traveled around the world, but now he feels in Chelsea at home. He wants people to strive for the best and go out of this troubled place, but he had already passed this stage, finally settling.
The plot of «Act of Fear» is replete with surprises, twists and revelations to the extent that would be enough for two dozen contemporary novels. For nearly 50 years the book is not outdated at all: people are still driven by greed, fear, self-interest and stupidity, honest and conscientious among them are one in a thousand.
Certainly one of the best PI novels of all time.
Thursday, October 25, 2012
Benny Muscles In
Prologue Books, 2012 (e-book)
(originally published in 1955)
Petty crook Benny with a funny last name Tapkow is tired of being a valet for his boss Pendleton. For seven years Benny was a driver for Pendleton, and now Benny wants to climb the criminal ladder. Only Pendleton does not want that, and when Benny shows independence, boss puts Benny into his place. Angered, Benny wants to get even with the boss, knowing his weakness, his daughter Pam, a wild thing, accustomed that her father in no way denies her wishes. Benny comes up with a plan of the kidnapping of Pam, enlisting the help of another crime boss, Big Al Alverato. But the kidnapping plan goes awry, and Benny plunges into the sea of problems.
The title «Benny Muscles In» was coined not by Rabe but his publisher. Initially the book was called «The Hook», and it is more appropriate to that history. On the surface this is a gangster novel, but in fact it is only the outer casing. «Benny Muscles In» is the story of a man who is struggling with his own emotions. To become a gangster, you need to disable feelings, and feelings are a drug, which is hard to get off. Emotions have ruined more than one gangster, Benny knows it. Hate, love, fear, and uncertainty – you need to get rid of it all. There must be only business. Struggle with feelings and emotions, that is at the heart of the book. Resort for dopers, bad kidnapping, escape from a former boss, inflating drug boss' daughter are all just Benny’s bad dream, his nightmare.
In this book there is so much sweat and dry tears, lick it, and you will feel the salt.
Monday, October 22, 2012
my son, my son: how one generation hurts the next
Harvill Secker, 2012
Before us a memoir of forty-something-year-old Scottish writer Douglas Galbraith, father of two children, who once returned home from a trip out of London, where the writer was doing research for his next novel, and found that his wife, a Japanese-born, stole two their sons and they had gone to his home in Japan, leaving no information.
Galbraith wrote his memoirs five years after the event - a little drama, as he calls it. Over these five years, the writer has never seen his sons. At the time of the abduction Satomi, the eldest son, was six years old, and the youngest, Makoto, was four. Brought up in a multicultural family, children initially could equally speak the father tongue, English, and the mother tongue, Japanese. Mother gradually began to dominate in the family, and the children became less and less using English. Strangely enough, but the author did not immediately reveals the chronology of abduction, the chronology of events prior to the abduction, when gradually became clear that Tomoko, the writer's wife, and he could not live together.
Galbraith monitors how the children gradually became the prerogative of women, not men, and how the child is still something of a property of his parents, not a full human being. However the law changes, no matter what the international covenants to protect children and their rights were not concluded, children will still remain dependent on adults, not fully independent. They can not choose for themselves, they can not vote, even though many of the children are more conscious than adults.
«My son, my son» is thepiercing memoirs of enormous power. In today's world, where everything seems to be focused on the safety and protection of a person and a child in particular, children will still remain dependent on adults, and sometimes even a toy in the hands of parents. Feelings and desires of the adult can go counter to the wishes of a child, can be harmful to a child, but no one asks a child. So one generation can destroy the life of another, even without considering the consequences.
Thursday, October 18, 2012
Fourth Estate, 2012
«The Yips» is a strange book, which is hardly novel, but not a play either. Most of the text consists of dialogues, which actually describes the entire novel’s action. Between dialogs there isn’t any action, and the so-called space between the dialogues there is not too much. Heroes meet and discuss what happened to them in the past. Heroes are the main driving force of the novel, they are the clay from which the novel is built. The plot here rather is that adorns basis, minor detail.
At the heart of the book is a professional golfer Stuart Ransom. From his former glory remains a little, personal Ransom’s life tarnished his career. He has a wife and daughter, but he rarely sees them. In Scotland, Ransom is together with his manager Esther, a pregnant woman of Jamaican origin, which not very fluently speaks English. At the beginning of the novel Ransom is sitting at the bar in a provincial hotel, drinks and tells bartenders stories about golf and more. His mouth never closes. Bar is empty, and so he tells his stories only to girl-bartender Jen and her assistant Gene, who works in a bar part-time. Jen has recognized Ransom, and Gene has not.
Each of the characters in this book is so strange that the book is read not as something realistic, but rather as an urban fantasy. It is indeed a strange world, a wild story, overheard at the bar. And the whole story starts in the bar. Bar is a place to talk, and «The Yips» consists almost entirely of dialogue.
These dialogues are more than real, if that happens, but these are not bar or the market chatter, these are full, catchy in their reliability dialogues between living people. Once the book on 90 percent of the dialogue, faking the human speech would be fatal, the novel would have simply collapsed. From the speech of the characters we know who they are, know what they did. Silence is golden, but if nobody said anything, we would not have seen this wonderful novel.
«The Yips» does not spare the reader: Nicola Barker explains very little and certainly nothing brings on a platter. The first hundred pages, and even more, we have to read with eyes almost closed: from the situation is not clear on 70 percent. Gradually, from the subsequent dialog, we take out the information about the characters. This novel is complex but not overcomplex, requiring patience and the work of the mind.
The place of the novel is Scotland of 2006, but you feel like you are on Mars. Few can achieve the same effect.
Tuesday, October 16, 2012
Actor Alexander Cleave is at decline of his career. He lives with his wife, Lydia, with whom they still grieve for their lost daughter Cassandra, who died ten years ago in the Italian resort of all places.
To once again remember what love is, Cleave writes a story about the greatest love of his life. His memories start with the day when he saw a woman's underwear, who rode on bycicle. He was not sure was it the same woman that he knew closely for the next five months. Alex was 15 years old at the time, still a schoolboy, with a very limited knowledge of the opposite sex. His best friend was Billy Gray, with whom they often walked, went to school together, and Alex in the morning waited at Grays home while Billy would prepare himself to go to school. One morning, Alex was waiting for Billy and decided to walk through the corridors of the Gray’s house. Grays have had a big house: Billy's father, Mr. Gray, kept optics shop, and the family lived quite comfortably, compared to many others. Passing by one of the rooms, Alex accidentally had seen Mrs. Gray, naked, looking at herself in the mirror. The boy held in memory this remarkable moment, until one day Mrs. Gray had given him a lift home after tennis game, and during a stop asked to kiss her. After the kiss, Alex doesn’t sees the woman who is older than him by 18 years, she was 33, for a week, thinking it was a random incident. But a week later, Alex is again in the house of Grays, and then in the basement laundry room, Mrs. Gray puts him the mattress and makes love to him. Since then the regular meetings between the boy and the mother of his best friend begin.
From the beginning there was a suspicion that the actor Cleave was an unreliable narrator. There can not be a person of such a memory. From the way he seemed to deliberately missed the point, copying them to the gaps in memory, one could guess that something with the narrator was wrong.
And it was, although it was impossible to predict the final, it was possible only to assume that the twist would be, and that sort of twists there are in every Banville’s novel. It is, of course, right to say that you need to read this novel not for the unexpected finale. «Ancient Light» is a dust photo, which the writer has restored so that it had become even better than before. Banville weaves verbal lace, as a poet choosing the right words, often those that you can see only in poetry.
Banville always stands out because he fills his books with ravishing descriptions, accurate details, such as the nail on the head, but his prose has plot. It moves like a snake with tattoos: We consider drawings of unearthly beauty and watch the graceful snake-story. The author has possession of colors, the language, and the canvas, the story, so they’re mixing – and we see a picture.
The novel is daring at times, but not one that is asking for trouble. The book is not about the provocative love, but about the rebirth of love and revival of the memory of love. The central plot-line there is the five months of passion (love?) between Alex and Mrs. Gray, and the subplot about the film and the actress is clearly secondary. This plot-line connects the «Ancient Light» with two other novels by Banville, which I have not read. But the past and present intersect here just with the theme of revival of love.
This book offers an elegant and refined reading and is hugely enjoybale.
Monday, October 8, 2012
Million Dollar Baby
Open Road Media ebook, 2012
(originally published in 2000)
Toole was a trainer and cut man, and boxing was his passion and his profession. This book brings together flawlessly written stories about boxing, often interspersed with crime. If we reject all sports comparisons (Toole wins by knockout; Toole’s prose has more power than a right hook; this collection deserves the belt of the champion of all boxing organizations and associations; throw the towel - Toole is the best), you can gather up the hundreds of laudatory statements not related to boxing praising something about that masterful collection of stories. There is not a bad story there, and I have not read it perfect short story collections, where all the stories would be close to ideal, for maybe two years.
The characters in his stories, on whose behalf the story goes, as a rule, are aging men, devoted their lives to boxing. They've seen everything, they know even more about the game (and for professionals boxing is not a game, it’s business), and for them the boxing remains honest sport. Yeas, there are the corrupt players, cunning trainers, greedy promoters, but it is important to be honest, whatever happens around. Moral of many stories lays on the surface, but on the surface and the face of a fighter lays – hit and you get it.
Toole essentially writes production prose: he can for half a story analyze fighting techniques, or training heavyweight, or stop blood on dissection, but you read it and do not feel any fatigue. On the contrary – you feel delight, as if you are initiated into a secret that very few people see. When finished with the mechanics, Toole goes to biology - the fights, and around them mant plots are construdcted. And it should be said that the plots are perfected to the smallest detail.
What is more notable about this collection: most stories are written in first person. The story is told by semi-literate people, and therefore they’re written in the style of a street, as I hear so, I write so (it is possible to say the stories are written in so-called black people talk-style, but the narrator is usually white). Often when such a style device is selected, it's annoying. A writer’s trying to be closer to reality, but in fact he makes it difficult to read. Semiliterate speech does not bring together an author and a character, on the contrary, as if the writer is laughing at retarded character. Toole’s street language is seamlessly woven into the narrative that says only one simple thing: most of the boxers are really uneducated and illiterate people - but they have different skills and dignity.
«Million Dollar Baby» is a first-rate collection. Perhaps the best thing I've read about boxing. And yes, it guaranteed kicks a tear.
Wednesday, October 3, 2012
Bantam Press, 2009
The economic crisis of 2008 has hit the six university friends hard. Jimmy, Robbo, Lizzie, Henry, David and Rupert graduated from university in 1993, then got wives and husbands, children and homes, the high statuses and high-paying jobs. Friends, swimming in cash, were in the chocolate until the crisis hit. Elton tells how they all came to the situation they had come.
In the center of the novel are financial trader Jimmy and his wife Monica. Jimmy wanted to be a director and make documentary films, but once tried to be a trader at a major office and realized that it is rock’n’roll! Jimmy himself made the reality, not the reality made him, and money poured in. He began at once to get more money than his friends; every day bought new clothes because there was no time to go shopping. Jimmy gradually began to spend all the money on booze and drugs, and would have been in rehab, if not married to Monica, who worked in the catering company and distribute sandwiches to offices in the same building where Jimmy worked. They married, celebrated their honeymoon in the United States, Jimmy gave up bad habits. They had three children, and the eldest, Toby, at the time of the crisis has already been in a private school. The family did not count the money, giving thousands of pounds for charity, buying a five-story building with an elevator and a few cars, hiring an Australian nanny who served the entire family. Jimmy has invested in a new project, buying an entire street, where a construction of expensive homes had begun. But then the crisis came.
Writer Elton is from the category of professionals, which do not write badly. They are not great prose writers or prominent novelists, but they know their craft. They rarely jump bar genius, but rarely fall low.
«Meltdown» is strong work, ephemeral novel, but surely written with refined drama, with lots of details, flavored with tasty little words and expressions. Obviously, the book has been written on the topic of the day in the wake of the headlines. The financial crisis is behind us (and if it ever was), and the situation described in the novel is a little bit dated. However, the book reads voraciously and cardboard heroes here look more authentic than in many novels. All university friends from the novel are character types, characters from jokes and anecdotes, stilted models, giving the author the opportunity to build his attack on the different strata of British society. Part of the jokes and understanding the problem will be lost, because you need to know some aspects of British life, to understand political structure, economic situation etc etc. But even if you do not know the half of it the book would still be funny and sometimes very funny. Elton writes brilliant dialogue and tries his hand at satire, and at the sitcom, and at economic analyst.
Evolution of university friends is prominently: ordinary young men and women come to a crossroads, try themselves, climbing gradually higher and higher, turning into pretty nasty characters. People are losing their human form until the collapse occurs.
The characters of the book are unpleasant, but Jimmy is a success. At least from the type he turns into an ordinary person, who sees life around, life that can be fun.
Elton adds action in the politicial/economic satire. Death of a friend, the inspector, illegal trading, the fire in the house - it all fit into the plot, making it more refined.
The novel is hardly the top of the British prose, but this is a strong work, worth reading.
Tuesday, October 2, 2012
Open Road Media\Mysterious Press eBook, 2011
(originally published in 1981)
Los Angeles licensed private investigator Fritz Brown works as a repoman since being kicked from LAPD. Having quitted the booze, Brown repos for a modest fee used cars, and in the evenings listens to classical music and talks to his alcoholic friend, Walter. When fat stinking caddy nicknamed Fat Dog for a considerable sum for a homeless asks Brown to dig something, the PI decides to postpone repobussiness and take a case. Younger sister of Fat Dog Jane Baker, cello player, lives with an elderly businessman Sol Kupferman. He is her sponsor and mentor, no sex, but the caddy thinks that the old man has secrets, and asks Brown to dig some dirt on Kupferman.
Brown knows his stuff and first checks Fat Dog Baker himself and discovers that he was a big pervert, born caddy and psycho. Brown, digging further, concludes that Kupferman and Baker had something to do with the old crime when one bar had been burned down. Brown understands that this is his breakthrough case that could bring him fame and money. Naturally, things are trickier than it seems, and the dead bodies will appear one after the other.
Ellroy admitted that his debut was written under the influence of Chandler, but only intersections with Chandler there is this is a PI novel, and in a few stylistic tricks that could be written by Chandler. Otherwise, it's Ellroy-0, a place for the early experiments with the themes that will continue to prevail in the writer’s books. There are also a long-time crime with conspiracy, and obsession with LAPD, and the mention of Black Dahlia, and psychopaths, and stunning descriptions of Los Angeles, and the lower circles of the criminal world.
You may think that «Brown's Requiem» is Ellroy-light, but it is not. Yes, there Ellroy is still warming up, looking for his style, but that's another Ellroy, Ellroy in the first person, Ellroy’s PI novel, his only novel PI. Brown is only nominally positive character of the book, and his motives are far from noble and ambitious. Only at the beginning of the novel, he is guided by good intentions, in the future he is a predator who violated the possible laws more than any novel’s villain. The fact that he is no better than the people he wants to punish, Brown certainly understands that, but his inflated ego does not allow to take this understanding. Brown is a tricky and quirky creature and still an LA cop inside, no wonder many of the characters of the book take Brown for the police, although he had long lost his badge.
Ellroy is meticulous and attentive to detail, which is why his novel works as a successful murder mystery, and as a social novel about America of the early 80's.
This novel was a requiem for Brown, for me it’s just the beginning of exploring Ellroy’s work.
Thursday, September 27, 2012
Ryan David Jahn
Macmillan UK, 2011
Ian Hunt is a police dispatcher in small town Bulls Mouth, Texas. Most days Ian plays solitaire on his computer, occasionally distracted by calls about lost keys or beating by a drunken husband. Four months ago, he buried his daughter Maggie: the procedure was formal, the girl's body was never found after she was abducted seven years ago out of the bedroom window. After his wife divorced him, Ian lives alone in a small apartment, drunk unconscious by the end of the day to fall asleep faster.
At the end of one shift Ian receives a call from a girl asking for help. Hunt recignizes the voice: it is his missing daughter’s, alive, but someone is chasing her. Now the 14-year-old Maggie did not have time to tell his father who abducted her, the attacker grabs her and takes away.
Who kidnapped Maggie and where she was all those years, we learn in the initial chapters of the novel: a local hospital janitor Henry Dean for seven years held the girl in the basement. And Maggie was not the first one he abducted and kept locked. Now after the phone call Maggie expects help from her father, and Hunt will do everything possible to bring his daughter back.
The main feature of the novel lies in the fact that the name of the abductor is known from the start. David Jahn relies not on ingenious solutions (guess who the villain), but on the psychology of all the participants of the drama. The story is told from points of view of three characters: a chapter from Hunt’s point of view, then Maggie’s, then Henry’s. Jahn puts his cards on the table, but he has a few aces up his sleeve.
If the second Jahn’s novel «Low Life» was claustrophobic thriller narrated by one protagonist, the structure of Jahn’s debut is similar to the third. The debut «Acts of Violence» also switches narrators, but then it turned out too fragmented picture, which is why «Low Life» was stronger work. «The Dispatcher» is more compressed book, and the different points of view make the story fuller. Each participant sees what is happening in his or her own way, and each of them is convincing. Stylistically Jahn is integral, no matter who of the narrators tells a story, you do not have the feeling that all three characters monotonically mumble with the same voice. Jahn captivates emotional pressure, he even sometimes causes us to sympathy for monster Henry.
Store is no sore, and in addition to psychology there will be more decent action, violence, driving on a deserted highway. «The Dispatcher» was published not only in the UK, but also in the U.S., and I’m pleased to see that Jahn finally started to be recognized at home, too. This author is uncompromising and emotional; he deserves an audience wider than he has now.
Friday, September 14, 2012
Penguin Books, 1966
Tim Smith is a private detective, working in the small town of Winston. Moreover, Smith is the only private detective in this twon. At the beginning of the novel, he is sitting in a bar, drinking coffee, minding his own bussiness, when a man enters a bar and tries to shoot Smith. The PI disarms the attacker and calls the cops, and as the police are going to lock an unknown man up, someone with a rifle from a distance is killing hapless attacker.
The deceased is a hitman from New York, and Smith concludes that someone wanted to remove him very much. This is not surprising: Smith works for the City Hall and knows about everything that is going on in the town, has incriminating files on everyone and stores these files in a safe in his office with the alarm. While working in Winston Smith has collected lot of dirt on corrupt politicians and greedy businessmen, rotten cops and bribing citizens, but Smith himself is in dirt.
A reform group comes to the town which is cleansing state towns of corruption in the government, and Smith quickly connects attempt on his life with the advent of a new political force in town. Attempts on Smith’s life will continue, and he is not sure who to trust, but he knows that he must find a villain, until he killed the only private eye of Winston.
«Killing Time» is Westlake's second novel, and it is assumed that this is a kind of homage to the novel «Red Harvest» by Hammett. Both of them are really written in the hard-boiled style, and both are told in the first-person from the point of view of a private investigator. There are the differences between them, of course, this is not a remake, not rewriting of the classics. In the Hammett's novel (written forty years earlier) unnamed Continental Op was a stranger in the town, where he had been sent to by the detective agency. In the Westlake’s novel Smith knows every dog Winston and every dog knows him. At the same time, Smith is not exactly a private investigator in the classic term. He’s not being hired by clients, he is on City Hall’s payrol, he is a fixer who solves its problems, while fat Hammett’s PI works for a detective agency, and we have repeatedly seen how he was hired and how he took up his clients' cases.
In this novel, as always, the plot will have a few twists and turns, but the investigation part of «Killing Time» is inferior than in «The Cutie», and two subsequent novels of the writer (not to mention the Hammett). Much more Westlake succeeded in creating the main character, who does not understand how far he fell, thinking of himself as an honest and perfect man who lives in an imperfect world.
The end is a killer, and the book itself breathes despair. Damn good.
Wednesday, September 12, 2012
Arrow Books, 2011
Ben and Chon grow marijuana. Best marijuana in California. The total market is theirs, and the money flow like water (although Ben and Chon almost doesn’t think about them). They had clashes with other drug gangs, but the conflicts were resolved quickly. Chon is a former SEAL mercenary, had participated in military operations in Afghanistan, and therefore knows how to get rid of enemies. Chong is the muscle, Ben is the brain. He is responsible for the financial side of things. Ben still obsessed with oriental scholars, engaged in charity work in third world countries, and tries to be a real Buddhist. They are both in love with the local Playgirl carefree Ophelia, whose friends call her just O. And O, in turn, is in love with Ben and Chon, not preferring one to another.
Friends enjoy life, smoke their own product, admire the beauty around. Until Chon receives an email from the Baja Cartel with the video of cut off heads. Chon and Ben risk of losing their own heads if they do not work for the cartel. And the cartel, and the head of the cartel Elena Lauter, has its own problems, so the cartel has to expand - from Mexico to California, fror hard drugs to distributing marijuana. Chon and Ben used to work for themselves and are not willing to work for someone. Friends understand that together they can not cope with an army of mercenaries. Ben wants out and to leave for for Asia, but Chon is ready to fight. During the first meeting with the cartel’s representatives Ben and Chon tell the Mexicans to go away (see the first chapter), and Elena does not like it. But the savages have to fight with wild and cruel methods.
(Ben wants peace.
You can't make peace with savages.)
Corrupt DEA agent gives advice to friends: «You want my advice, boys? And girl? I'll miss you, I'll miss your money, but run.» Friends do not have time to leave, and the cartel kidnaps Ophelia, and Ben and Chon are in trouble up to their necks.
Winslow tells his story playfully, provocative, inserting in the text unusual abbreviations (for example, O calls her mother Paqu - Passive Aggressive Queen of the Universe), lists (hilarious) and politically incorrect jokes. If I write that Winslow wrote his novel in poem-prose, I will be laughed at and probably will hear "You exaggerate", but in this case it is not an exaggeration. Winslow writes poetry and prose by inserting fragments of free verse in his prose.
Lights up when she sees them
Big smile. «Hi, guys!»
Antsy style helps the story to move with an exorbitant rate. Winslow throws the reader sentences like a stick to the dog – get it. And the reader is running, because he can not not to. (In this case you don’t feel yourself like a dog, Winslow avoids cheap tricks.)
The story told in the book is very rooted in reality. The author with incredible authenticity describes how a large cartel works. Winslow knows what he writes about.
At the same time, the novel is over the top, everything there is exaggerated. Cool characters, cool story, cool violence, cool villains, and if Winslow stoped somewhere between fairy tale and reality, «Savages» would have been nothing more than a mediocre action thriller, with cardboard characters and over-embellished story. But Winslow is over the top in everything, and in this lays book's success.
Drug dealing for Ben and Chon is a hobby, but this hobby brings good money. They violate the law, but you sympatize them. The more fun it was to get to the end of the book, and see how it would end. Will the author punish the heroes who are essentially criminals too, but not as brutal as the Baja Cartel, or won’t? (Personally, I was happy with the ending.) No less interesting in the novel a love triangle is. Relationship between two friends and a girl is not about the type that we see often in crime films or books. All three lovers do not envy each other. Ben doesn’t want to have Ophelia alone, Chon doesn’t as well. O also selects the two of them. It's a free love, and in that its manifestation is rarely come across in American literature (although the word "love" here does not mean platonic love, a threesome is there, all right).
Winslow wrote GONRI (Gripping Original Novel, Read It).
Friday, September 7, 2012
Island Books, 1998
In the spring of 1945, Michael Connolly is sent on a secret military base where the best minds of the U.S. build an atomic bomb in order to use it against Japan. Connolly is not the military officer, he is a former reporter, "rewriter," as he calls himself, but the Army needed an outsider to conduct an independent investigation.
Near the military base was found an unidentified man, murdered. His head was smashed, but the strange thing is, he was found with his pants down. Police suggests that the victim was a homosexual and was killed for that reason. In the area three weeks earlier there’d been a murder like this, a man was also killed, with traces of copulation.
Army knows the identification of the second victim, he was a security officer at Los Alamos Karl Bruner. General Groves explains the situation to Connolly, pointing to the delicacy of the situation. On the one hand, the murderer of the security officer must be found, but at first it has to be found out whether his death was related to the project. The existence of the Manhattan Project, even in the White House, is known only to a few people. Groves gives an order to investigate quietly, so as not to distract scientists from work. Connolly is appointed to replace slain Bruner as security officer to investigate undercover. The partner of the deceased officer Mills introduces Connolly the ropes, telling what Bruner was himself, how he liked to know everything about everybody.
On the first cocktail party for the project participants and their families Connolly meets with Oppenheimer and Emma Pawlowski, the wife of one of the scientists. Connelly quickly falls in love with Emma, so does she.
Of some writers sometimes it’s said that they are writing the same book for whole life. This can be seen, in some cases, as a compliment, but it is possible and as severe criticism. Joseph Kanon writes the same book over and over, and I can not say it's a compliment. «Los Alamos» is his debut novel, and it is 95 per cent like «Istanbul Passage», and «Alibi». I suspect that the rest of Kanon’s books are the same. What changes? The names of the characters, the scene, a little different the premise. All the rest is one endless self-repetition. The main character is always the same, an American semi-professional associated with espionage cases. He always has a lover, someone's unfaithful wife. He is helped to investigate by an inspector or police detective. The era is also one and the same, about-World-War-II.
And yet it all would be okay, but the most incredible of all that is that all novels have the same ending, a drop of water, an identical copy of another drop, and the third is copy of the copy. Everywhere the same hospital, rewriting the results, the uselessness of the truth.
«Istanbul Passage» was a bright and fresh, «Alibi» was a dull copy, because I had read the same thing in “Passage”, «Los Alamos» - well, would you please stop? This is the only reaction. Does the author have no imagination? Why did he not change his direction? Why repeat himself over and over? He has an ear for dialogue, and the story (one and the same) is tense and exciting, and he can write.
If after reading of "Passage" and "Alibi" I picked up "Los Alamos," I would have thought that the publisher is trying to fool me, offering me the novel I already read but by another title.
And one, not so polite, question to Kanon: what, your record has stuck?
Thursday, September 6, 2012
The Devil I Know
Faber & Faber, 2012
The novel is written in the form of questioning. Someone named Fergus in 2016 questions the novel’s protagonist Tristram St Lawrence, who was involved in a real estate boom in Ireland in 2006, and then in the collapse of it.
Tristram at the beginning of his confession tells how he nearly died on a plane to make an emergency landing in Dublin. There at the airport hotel Tristram meets accidentally an old friend Desmond Hickey, real estate developer. Hickey immediately takes Tristram to the bar to drink. But Tristram can not drink. Tristram is a former alcoholic, barely survived after a binge. When Tristram has not arrived at his mother's funeral, everyone thought that he’d died ("It was another Tristram St. Lawrence" - Tristram jokes every time). Tristram is rescued by a mysterious character who instructs Tristram by telephone. A stranger appears as Monsieur Deauville, and from that point, as this man made Tristram to join the "Alcoholics Anonymous" and pulled him out from death, Tristram follows instructions from Deauville.
Tristram and Hickey come to the bar, where Hickey buy them a pint, but after five minutes in there Deauville calls Tristram and says that a taxi is waiting for Tristram, it's time to go. Tristram returnes to the castle, which belonged to his mother, but now to Tristram himself (he, after all, is the thirteenth Earl of Howth on the title). His father is living in the castle and does not even want to talk to his son. In the castle Tristram also finds servant Larney who seems senile and talks in riddles. Hickey makes Tristram a business proposal, and at the direction of Deauville Tristram agrees to it.
This book boasts a delightful blend of the real and the unreal. Start with the fact that the action takes place in the future, in 2016. From the beginning, it is not clear whether the narrator is alive or not, it is unclear to whom he tells his story. At the same time, the real estate boom in Ireland really was, as was the collapse, and accuracy in the details regarding property is respected. «The Devil I Know» is, of course, the picaresque novel. If measure it for the quantity of black humor this novel is like "Master and Margarita" plus "Dead Souls" by Gogol. Characters are still those boobies, but, of course, a purely British boobies. All this is compounded by an unreliable narrator, and here I can clearly see some parallels with Stephen Fry. Tristram is Black Adder (from TV series of the same title), and former alcoholic, and a simpleton, which Ireland has never seen, and the person who has become a puppet of the devil. He is certainly an apocryphal, grotesque, hilarious character, but charming, clever even, just trying not to use his wit.
Page-turner is not always equal a good book, but in this case it is a good page-turner. You should get all the fun right away, and read the book quickly, the plot goes like a storm, though it seems there is not a lot of action here. Claire Kilroy writes clever, brilliantly and boldly. Her writing is multi-colored, but without excess.
The theme of real estate today may not be the most relevant, but the devil is always something out there somewhere.
It’s a great novel, call it fantasy, the mainstream, even a modern fairy tale. Very good.
Tuesday, September 4, 2012
Random House, 2008
The story of Gypsy poet and singer Zoli Novotna is told by several narrators from several layers of time. In 2003, the journalist comes to the Roma settlement, where Zoli Novotna once was born. Gypsies share stories of the past of legendary Zoli with him.
In the early 30's, when Nazis became power, the laws began to change, and Gypsies were killed and evicted from the land. All Zoli’s family, except for Zoli and her grandfather Stanislaus, had been shot. Zoli with her grandfather hide in the woods with a horse, while not adjacent to the tribe of Gypsie harpists. Zoli at that time was six years old, and while she and her grandfather was hiding in the woods, Stanislaus’s taught her to read and write on "Capital", which he always carried with him, breaking the gypsy traditions, because girls were not allowed to reading and writing skills.
The girl is getting married early, at age 14, for a gypsy named Peter, who is much older than her. Grandfather soon dies, and the war ends. Success comes to Zoli, but later, after the war. Stephen Swan, who is the narrator in one of the parts of the novel, is English, but with Slovak roots.
Obsessed with the ideals of communism, after the war, he traveled to Czechoslovakia, where Stephen is patronized by local poet Martin Stransky. Swan translates into English, lives just like everyone else, often gets a cold. In 1950, Swan met with Zoli.
Stransky was the first to discover the poetry Zoli, and drew attention to her. He wants to publish her book of poems. Roma have no written language, and Stransky and Swan, as his assistant, transfer Zoli’s songs and poems, existing only in oral form, on paper.
McCann in this novel is like the heroine of the novel Zoli tells his story so fascinating that you even stopped to care what is happening. McCann writes really well, loudly, correctly placing the intonation, he’s especially good in the first half of the novel. Beginning is fascinating, when the story is told from the point of view of a six-year girl, it’s touching and funny. The author's style is truly British, he avoids Gypsy’s words, does not insert italics gypsy sayings, not trying to assimilate his style. No less successful is the second chapter, when the first-person narrator Stephen Swan becomes gradually fascinated by strange beauty of a Gipsy Zoli. Swan seems fascinated by form and not substance. He is mesmerized by otherworldness of the poet herself, her tongue, her voice, the ability to attract attention. But Swan never tells about the content of poems and songs of Zoli (McCann in the text itself rarely gives examples of Zoli’s poetry).
The second half is not that written worse, but more monotonous. Kicked in disgrace, Zoli as Gingerbread, is rolling across Europe, small events heppen with her, but they do not mean much, and similar to each other. The interest is waning, besides McCann inserts into the narrative Zoli’s letter to her daughter, and the question of whether Zoli will survive or not, by itself disappears. «Zoli» is is a one-man show (or rather ome-woman), because there are no other characters. And this author has difficulties. If the reader is interested in Zoli as an individual, it will be interesting to trail the story, if not - you hardly even will read to the end. You can not be interested because McCann inspires us to believe in the tragic nature of the heroine, the complexity of her fate, her troubles, but the novel lacks something that would show us an aura of mystery around Zoli. We spent too much time with the character, so we learn almost all about Zoli, a little too much. Besides if you’ll look at the gypsy sober, you can see not a gifted woman, which no one understands, but selfish thief, cheating woman, traitress.
«Zoli» is an uneven novel, above average, but read it only if you’re in the mood.
Baxter's family’s got troubles. 16-year-old daughter of Jacob Baxter May married 26-year-old sadist Wallace, cheated on him, became pregnant, and Wallace did not like all that. Jacob feares that Wallace now will use violence to his daughter. The father asks his two sons, Rog and Flash, "talk" with Wallace, so that he’d leave May alone. But a karate expert Wallace does not like to listen to other people's instructions, and the whole Baxter family this first time is left with minor injuries after a conversation with Wallace on the souls.
Jacob finds a solution. He wants to hire a local ex-con Pearce, who would "solve a problem" with Wallace and become a bodyguard for May. Pearce with his difficult character and financial problems ponders offer to earn a few thousand, but after weighing all the pros and cons, he refuses to eat the stranger’s shit. Baxter family has to persuade Pearce in more sophisticated ways. The action begins to accelerate, the plot flies like swirl.
Pearce has been a hero of another Allan Guthrie’s novel, «Two-Way Split». Pearce's past is full of violence: killed a drug dealer for his sister's death, served time, saw the robbers killed his mother, took revenge for the death of the mother, barely escaped punishment. Peirce never had friends, except his dog. As well as a permanent job, but «Pearce needed the money. Arsewipe. Maybe he should think about proper job. Only thing he'd done since he got out of prison was debt collecting. And that wasn't an option now Cooper was inside». But Pierce, who is just that «hard man» from the title, is not the only main character in the book. Guthrie slowly puts the pieces, revealing the characters of all Baxter’s family members. This is a hell of a family, so prepare for the parade of errors, unexpected twists and black humor.
With humor there is no problem, but with everything else ... The previous two Guthrie’s novels also were crowded with characters who are cruel, crazy and unpredictable. Favorite writer’s method was taking a large number of characters in one pile and see how they will deal with common problems. At the same time, Guthrie changed narrators in the process, but did not do it very often, staying with one character enough time to avoid flickering in the eyes from the narrator’s switching. Reading «Hard Man» the eyes will just dazzle. The author so often changes the angle of view, that in the end you just stop to closely monitor these cuts. You just get headache, and no fun.
The second half of the story is divided into two sub-plots and Pearce ends up on the sidelines. Somewhat unexpectedly to see how the main character of the book suddenly stops practically participate in the development of the plot. Guthrie in the first half of the book takes us inside the mind of Pearce, to just throw this character away without visible results.
In the novel, there are a few surprises, but their stock is running out quick, and the ending is already possible to predict in a few dozen pages before the end.
In the first two Guthrie’s books, we saw what he was capable of («Two-Way Split» was wonderful, «Kiss Her Goodbye» is a little worse). This is no good. The first half of the novel was promising, but then the novel turned sour. It is better to find his first two novels, this is not a must.
Tuesday, August 28, 2012
The Banker’s Daughter
Harvill Secker, 2012
Hanna Mehdi is 20-something-year-old daughter of the former owner of a major bank in London. In is the beginning of 2008, and Hannah with her father, whom she calls Baba, for nearly three years have been living in Beirut, where they fled from England, when the bank collapsed. The bank, which was the largest Arab bank in the world, had collapsed under mysterious circumstances. People standing at the helm, managed to escape from London, and so far the public doesn’t known whether Baba lost all his money, along with all other depositors, or he shamelessly appropriated the depositors' money.
In Beirut, Hanna and her father lead a comfortable life. They live in a luxury hotel, Baba has his own yacht, Hanna wears expensive clothes. For days, Baba just drinks cocktails by the pool, and Hanna is not busy with anything special. From Beirut they will not be be forced to the interrogations, so Hanna's father is not worried that justice will reach him and his daughter here in Lebanon. But in Beirut the Mehdi family is still under cover, without revealing to anyone who they really are. Hanna graduated from the university as an art historian, pretending here that sge is an art dealer who she in general actually is. With no artistic talent, Hanna became an art dealer.
The novel opens with a scene when she sees on her father’s laptop a photo with cut-off head of a certain man on it. Hanna knows that her father and her uncle are capable of violence. She knows that in a world where her father lives, men do what they want, just to achieve their goals. But Hanna is not sure what this photo means. Maybe her father is a murderer and that he had cut off a man's head, but it is possible that someone is threatening him, frightening the old man. The girl is nervous, but does not dare to ask her father directly.
Debut novelist Mian is a man, but the novel’s written from the point of view of a woman, and it is clear that Mian coped with this challenge. While reading the book, you just do not feel that the author is of tune somewhere, or sings flat. Hanna Mehdi is a young woman, with woman's emotions, female logic, with opposition to the world of violent men, with a love of the father, which only a daughter may have. Mian made the heroine of the book not an artist, a person who creates art, but a dealer who is selling art. Choice of Hanna’s occupation emphasizes communication with her father (he and she are working with money), and some sort sensitivity, which should be characterized by a person who is close to the artistic community.
Hanna accepts everything that her father had done, forgives him, but at the same time she leaves the family. Violence, power, big games - it's not for her. The family finally broke up. Hannah is a person of modern times, a person who lives according to rational consciousness. Her father Baba is a man of the past, living by the laws of his ancestors. The banker’s daughter does not accept these old rules, she starts a new life, but she did not deny from her father, so, at the same time, she continues ancient traditions.
The novel is interesting as a slice of the British art world, and as a slice of life of high society in Britain. The author looks at the world of art and the world of big finance through the lens of the Asian world.
Novel, perhaps, does not have enough layers. The book is fairly linear, as flashbacks rather complement and reveal the characters, rather than add any story lines. Also, like it or not, but only Hanna and her father are people with good qualities, all the other characters are like the selection of almost cartoonish villains, even without guns.
Simple, but at the same time catchy prose covers simplicity of the story. The end here is open whuch just suits this book. It asks a lot of difficult questions answers for whose is not an easy find.
Thursday, August 23, 2012
The Brief Wondrous Life of Oscar Wao
This story of a family curse and the Dominican Republic is told by several narrators (in some cases it's hard to determine from whose perspective the story goes), and the time and place vary from chapter to chapter. The book begins as the narrator explains that all subsequent events can be attributed to a curse - fuku, which was brought by Europeans to the Americas. Modern Dominicans do not believe in the curse, but the current generation of parents believes that it’s real.
Oscar, the protagonist of the novel, from the age of seven had a weakness for girls, and also was the main geek of the Dominican ghetto. After an early incident when he first broke up with a girlfriend, and then another girlfriend dumped him, Oscar is rapidly gaining weight, becoming the thickest on the block. Oscar become SF&F fan, he reads fantasy and science fiction all day, play role-playing board games, watches anime and B-movies, in general. In school, he learns so-so, not interested in sports, does not participate in extracurricular activities. Girls shy away from him, and the friends soon start to laugh at him. Despite all the loving Oscar by high school years is suffering from a lack of steady girlfriend. Moreover, his geek-friends miraculously lost their virginity, and Oscar hasn’t yet.
In Junot Diaz’s style lay the main strength and weakness of this memorable novel. To show the actual integration of the two cultures, the Dominican and American (Oscar is American in the first generation), Diaz throws in the boiling cauldron of his prose pinch of Spanish in the bulk of English. English clearly dominates, but this mix does not confuse and not deterred. Diaz uses single words and whole sentences in Spanish in the text without selecting them either italics or bold, not giving footnotes and translation. Not knowing Spanish, you can still understand 80 percent of the writing, and the remaining 20 to guess the meaning. And the mix of languages is not the only thing that the writer mixed in his book. In the novel, for example, swearing in Spanish and baroque prose in perfect English are mixed, too. Of similes and metaphors, there are those that have a geek origin (reference to Marvel comics, jokes from the B-movies or quotes in Elvish from "The Lord of the Rings"), and there are those that mention Dickens. In narrators’s language Dominican sayings, world like Negro, passages, worthy of the best family sagas are perfectly combined. Since the main characters in the book teenagers and young adults, the tone of the narrative is quite cheerfully and youth, with youth slang, especially in Spanish. But in such a vigorous mix of everything you can find a few flaws. First, the story is told by several narrators, but the style of the book in all chapters is more or less similar, so the difference between the narrators is not very visible. Second, even when the author describes the history of the Cabral family, or something else non-youth, he still continues to use the vocabulary of a 15-year-olds from the Dominican ghetto.
By introducing fantastic element (although this element is rather vague, it was a curse or not, everyone decides for himself) in the novel, Diaz opened his novel to a large audience of fans. Family saga, coming-of-age story are what a "serious public" can find here, but the geek references, curses, and the main character, writing a fantasy - it's all for science fiction fans.
This is a book for everyone, and Diaz knows it. What's it about? About the relationship between generations, fate, the inner strength, will say someone. And they would be right. About that fat people remain virgins, will answer somebody else. And this is also true. He offers a lot of youth slang, which may make you think about the frivolousness of the novel. But then Diaz has a complex structure of the novel, which can not be called frivolous.
The title of the novel includes the name of Oscar, but the book is not only about him, but about his family. Oscar's sister all the time is somewhere on the sidelines, but Oscar's mother is already too voluminous character.
The book contains a number of references, written in small print, on the history of the Dominican Republic, but they are annoying and at times there seem superfluous.
Oscar had quite busy life, and the book was very enjoyable too. This is the book, which, I think, will long be remembered.
Friday, August 17, 2012
Matthew F. Jones
A Single Shot
Mulholland Books UK, 2011
Hunter John Moon goes out of his trailer in the morning to hunt. He illegally kills deers, each time risking getting caught. John’s father has lost the farm at the time because of the banking collapse, and John has enough problems of his own. He does not stay long at any work, his wife left him, taking with her their son. Since money is always tight, and free meat is good.
John shoots a deer from a distance, and then long pursues a wounded animal. When he hears the bushes rustle, he shoots. The deer appears from the other side, Moon shoots it, too. Going to the bushes, where he first heard a rustle, John finds the body of a young girl he accidentally killed. Exploring the place of illegally camp, he also finds a bag of money and a lot of drugs. After searching the body, John reads the note written by the killed girl, in which she writes about her boyfriend, with whom she head over heels in love. John hides the body in a cave, takes the money and the carcass of a deer and drags all of it to the trailer. Moon wants to use the money to bring back his wife and a child. Later, John realizes that the money belongs to a couple of farmers, whose house a few years ago was robbed, and they were both brutally murdered. Conscience and the people who owned the bag with money begin to pursue John Moon.
«A Single Shot» is what is now called the rural noir. The novel story is indeed close to noir, first of all because it is about good people doing bad things. John Moon is an honest, but a broken hero. He is «a good-looking guy ..., gentle and with a good sense of humor». Life was not fair to him, but he has no inner core, to resist to the end and did not succumb to temptations. He takes the stolen money (stealing already stolen), but for the benefit of the family. He kills the girl, but it was an accident. Moon is visited by the idea to go to the police and confess, to explain the situation, but here healso lacks confidence. He has several prior convictions, and who would believe him? Who would believe a poacher, an unemployed, who took the stolen money? John is not the only one in the novel, who came under the influence of money or a bad company.
«A Single Shot» is a greater story, where all are the details. And Matthew F. Jones catches in his style the importance of detailes. But what distinguishes this book and makes it extraordinary, it's attitude towards death. Deprivation of human life is not just another everyday event, it can break a man (which is why this novel was compared to "Crime and Punishment"). Murder deprives sleep, exhausts, causes burning with fever. Conscience like a tumor eats away the brain, the heart is accelerated, then almost stops, and lungs are filled with molten lead. The dead girl even after death will not leave John alone, not only her soul but the body will haunt the accident killer. And the payback is not such that you will expect.
"A Single Shot" hits the bull's-eye.
Thursday, August 16, 2012
The Captain Must Die
Prologue Books, 2012 (eBook)
(originally published by Gold Medal, in 1959)
Three former soldiers, 12 years after the war, return to town in Louisiana, where their former captain lives with his wife. The soldiers are looking forward to the meeting with Captain Driscoll, but not because they want to thank him for his good command. All three, on the contrary, are covered by hate and want to brutally kill the captain. Now Driscoll is a successful businessman, a father, a respectable and prosperous man, with still an attractive wife. Three soldiers do not just want to kill Driscoll, it would be too easy, but first, to scare him, knocking him from a measured pace of life, then take his woman, and then take all the money the captain, managed to save over 12 years of life and now he keeps them in a safe with the code. Brick, an organizer of a plan of revenge, is most eager to send a captain to hell - as retribution for a case during the war, for one incident, which nearly put an end to the lives of three ex-GIs.
Colby immediately initiates us into the plans of three, but not immediately lays out the truth about what happened 12 years ago. On the other hand Colby gives each character to speak. Everyone has their secrets, everyone has their attitude to the incident from the past, and each has its own plans for the future. Brick, fierce and angry man, suffered the loss of the family. Playboy Cal lost revenue work. Stupid Barney missed waiting with his bride.
I will not reveal a big secret when I say that all these 12 years, Brick, Barney and Cal spent in prison. But it is strange that Colby does not mention how prison term affected the three companions. Colby wrote that they were waiting for retribution and hoarded malice and hatred all the time, but the prison experience and the impact of prison on them - not a word about it, as if all these 12 years former soldiers were just waiting on the bench and not behind bars.
Colby is a little too simple, but he very skillfully creates an atmosphere of growing tension. Moreover, the author succeeds in achieving the effect where we stand on the side of the soldiers at the beginning of the novel. The positive hero is to be captain, but Colby uses in describing him such words and phrases that show the captain in an unfavorable light, as if he were the last bastard, making money on the failure of others. Three real bastards that are greedy for money and the flesh of women are the obvious anti-heroes, but before Colby reveals the secrets of the past, we are on the side of the inmates and ex-soldiers.
«The Captain Must Die» is written by all the canons of the genre, but it delivers the goods on all fronts.
Wednesday, August 15, 2012
Hard Case Crime, 2005
23-year-old Ray Kelly discharges from the army in Germany and returnes home. In New York, he is be met by his father, Willard Kelly. Kelly Sr. behaves strange, not wanting to leave the hotel room, and Ray himself goes to his father. In the father’s car they are going to a small town where Willard and Ray’s brother Bill live. But on their way they are shot at by unknown people, and Ray wakes up in hospital two months later. His father is dead, and he lost an eye. Later, Ray learns that Bill's wife was hit by a car. Ray suspects that someone is trying to erase from the Earth the whole Kelly family.
When a messenger tells Ray and his brother that their father was not supposed to come to New York, Ray kicks out from a messenger some useful information. It turns out that Kelly Sr., who worked as a lawyer, even before the war had a connection with New York-based organization (read: mob). Ray, a young man with a glass eye, is left with two suitcases of his things and lost everything, which he returned home to, steps on the trail of revenge.
The third Westlake’s novel, written under his own name, is perhaps even darker than his debut "The Cutie". Some may find the story quite unoriginal, with a bunch of beaten twists and techniques, but how Westlake controles these twists and techniques! Yes, this is not the first novel about a man who, after returning from service, is faced with the fact that all his dreams were dashed in an instant. And it is not the first novel of revenge, where a single man is opposed to mob. The main Westlake’s finding is the voice of the protagonist Ray Kelly. Muted, flat, dry, unemotional voice of the narrator can make to think that Ray himself doesn’t care what would be with him and his offenders, but through the cracks in the dry narrative seep anger and rage. Kelly is generally faced with the problem (after a few turns of the plot): to avenge or not avenge? And by choosing revenge, he puts himself in the category of those who do not believe that revenge is a dish served cold.
Very good. 361 times good.
Wednesday, August 8, 2012
The Eighth Black Book of Horror
Selected by Charles Black
Mortbury Press, 2011
I highly praised the two previous "Black Books" and even became a fan of the series. Charles Black who compiled and edited these books was doing a great job, managing to select for the series from this small press high-quality stories, written by the famous writers and by very little known outside the genre and the UK. Top short stories from previous books were, first of all, well-told stories, but at the same time, they still scared readers (although the horror genre is such a thing that you never know what can really scare, because one is scared of one thing and the other by another thing).
No matter how good the two previous anthologies of the series were, we have to admit that this book, the eighth, bears no comparison with the previous ones. Moreover, “The Eighth Black Book” is a complete failure. Usually, if the anthology contains at least one outstanding story, the book can not be named a failure. In this anthology, there are no outstanding stories, and just a handful of good ones. A good part of the stories I could not even finish reading to the end, they were so formulaic and ineptly written.
The main problem of almost all the stories in this collection (and even the stories by professionals suffer from this problem) is a lack of a coherent story. As a rule, the author has an idea how to "scare" (in quotes because in 95% of cases it is not scary) the reader, but this simply is not enough. Before we get to the scary and shocking, according to the authors, end, we have to wade through a mountain of cliches, or through a sluggish backstory, or even through the stiffness and awkwardness of style.
The best (although they are still pretty average in quality) stories of the collection are «Home By the Sea» by Stephen Bacon, «The Other Tenant» by Mark Samuels and «How The Other Half Dies» by John Llewellyn Probert. They are all moderately scary, with the "shocking" endings, to the extent clichéd, but pleasurable.
Let's hope the next book in the series will be on the level with the sixth and seventh volumes, not this one.
Monday, August 6, 2012
(originally published as The Mercenaries)
Hard Case Crime, 2009
Clay’s night sleep is disturbed by the familiar heroin addict named Billy-Billy Cantell asking Clay for help. Clay works for the organization (read: mafia) as an “accident man”: he arranges accidents on the orders of his boss Ed Ganolese. Cantell is scared to death: he woke up in a strange apartment with a dead girl lying behind him. Hardly having time to escape before the arrival of the police, Billy-Billy leaves in a flat hat with his name and fingerprints all over the apartment. Small-time dealer and user sure did not kill the girl, and Clay believes him: someone framed Billy. In another situation, Clay would simply arranged an "accident" for the addict, so Billy during the police interrogation wouldn’t betray the secrets of the organization (Cantell is not just user, but also a heroin dealer and also works for the organization), but Billy during the war met impotrant people from the European organization, and you can not just kill him now.
The police immediately visit Clay’s apartment, where he hid Billy, but when the cops leave, Billy escapes through the window already. Now, half of New York City Police is looking for a two-bit user who, they believe, killed the girl, Mavis St. Paul, who was the mistress of an influential old man with big connections. And Ed Ganolese tells Clay to find Billy before he will make great wrongs. And in addition to Billy, Clay must find that cutie, who framed Billy and brought so much trouble for the organization.
The beginning of the novel may seem a bit familiar, but, believe me, this is only the beginning, further in the novel there will be a lot of surprises, so that everything will turn upside down. «The Cutie» is Westlake's debut novel under his own name (he wrote several softcore novels before that one), and what a debut it is! Westlake writes sparingly, with humor, but let humore not to fool you: the book is very grim, and the finale is starless night.
Cutie from the title of the novel is by no means the girl from the cover, but the man, who framed the unfortunate Cantell, and later gave more than one trouble to organization. Westlake, which tells the story from Clay’s point of view, strikingly demonstrates, step by step, cutie’s tricks, so we are on one side with Clay and his boss, Ed, and also want to capture the villain immedietly.
Here is a quote from the dialogue, when Clay and Ed discuss the cutie:
«"Okay, "said Ed. "Okay, okay. He asked for it. He went a little too far this time, Clay, he got a little too cute for his own good. The cops have Billy-Billy now, and that means they'll close the goddam case . That means he's ours, Clay. That son of a bitch is ours, we don't have to turn him over to the law at all. "
"That's right," I said. "I hadn't thought about that."
"Neither did he, the bastard. But I'm thinking about it. Clay, I want that son of a bitch more than ever now. I want him right in front of me. He's mine, Clay. You get him and you deliver him to me. That little cutie has got just a bit too goddam cute for his own good."»
Westlake in his novel finds a balance between the classic detective story and a thriller about the mafia. Clay in the middle of the novel tells to his beloved Ella how he got into the organization and how he, a pretty and educated man, became a mercenary and hitman for a criminal boss. Clay is not deluded about himself: he is who does what he is asked, he is a murderer, but only when it is necessary for bussiness. The heaviest choice Clay will need to be done is choosing between personal life and work.
«The Cutie» is a novel of immense power, coldly written, a poem in prose about that there are no good people at all. But good books there are, and this is one of them.
Monday, July 30, 2012
Jonathan Cape, 2012
Pilot Bob Winrush returnes home after the flight and finds his wife, Olivia, is engaged in tantric sex with her masseur. Bob grabs his gun and almost kills a man, shooting into the air.
After that incident, a family man Bob divorces his wife and moves into his apartment. Winrush (his name is often mistakenly pronounced as Windrush) is a pilot, freight dog. He once was a captain on passenger flights (when he met his wife, she was a flight attendant), and then switched to cargo flights. He flied with dangerous goods in all over the world, and its cargo, too, was hardly safe. On airplanes he was carrying napalm, AK-47s, ammunition, serving shady customers. He and his team, as a rule, received money in brown envelopes on arrival. He always carried a golden rule of freight flights - to ask no questions. But about two years before the described events, Bob gave up a job and went out of the deal, flying only halfway. He never cooperated with the Taliban, suspected something was wrong and refused. Walking out of a deal, too, is not tolerated in this business. Bob has received several threats after that, but that was it.
Now Bob is working as a private pilot for an Emirate sheikh, lives in Dubai, often meets with local woman named Leila. Then someone just startes digging in the two-year business, Sheikh is asked questions about Bob, and Sheikh fires the pilot, when they are steamed in a sauna in the tail of an airplane. When he gets home, Bob notices that someone was in his apartment. His captain's logs of flights are missing. Bob remembers the day of the flight, his team. Bob decides to return to the UK and books a plane ticket. The next day, Bob is contacted by Israeli journalist Sharansky, who is investigating the transport of weapons. Winrush first refuses but then agrees to a meeting, when Sharansky threatens to mention his name in a forthcoming article.
«Flight» is probably what can be called a perfect blend of thriller and "mainstream novel". The book is sufficiently entertaining, keeps suspense until the last page, makes turning the pages, but at the same time making us feel the atmosphere, enjoy the unique style, assess the language game.
In the novel, the profession of the protagonist is a pilot, freight dog, as he calls himself. Thorpe weaves amazingly the protagonist’s profession in the style of the book. There are many curious puns, metaphors, comparisons, related to the air, aircraft cabin, jets, wings, etc. Thorpe felt his character, made him a truly authentic and alive. Bob thinks like a pilot, talks like a pilot. Besides, Thorpe has real gift to write fresh and original dialogue. It really is talk of living people, especially when Bob and Al (Bob’s mechanic) are talking.
What else is saying about the skill of the author, is the balance of the book. The first part is in fact a continuous action, intrigue, danger and deaths. The second half is the exact opposite: waiting, boredom, anxiety, loneliness. But both parts of the book are identical in quality. He did not blunder. Where he writes a thriller, it's really a thriller, with its heavily twisted plot, espionage, and authentic moments. Not every mystery writer can tell a good tough story. The second part, devoid of the first brick-busting action, is interesting in its own way. This is quite a separate genre - a hero waiting for someone who wants him killed. He is essentially helpless. Those who want to kill him have the resources, they are professionals. If they want to do it, they will. Therefore, Bob can only wait and try to be alert but he needs to answer the question, who wants him dead.
Thorpe captures the hero's anxiety in his style, the changes in it. That who had flown now walks with a low hugging the ground. The hero is changing, is aware of his mistakes from the past, to somehow communicate with the flight he begins to investigate the birds. First, just for the cover, but later he’s hooked.
«Flight» is story about responsibility, vocation, friendship, and delusions. It’s a deep and live novel.
Thursday, July 26, 2012
Dog Eat Dog
MysteriousPress.com/Open Road, 2011 (digital)
(Originally published in 1996, by St. Martin's)
Troy Cameron, son of the law-abiding citizens from Beverly Hills, is released after a second prolonged serving time. In prison, Troy read (including Joyce), thought about the nature of things, did push-ups and sit-downs to keep fit, and planned how to hit the jackpot with enough money till the end of life somewhere in the house on the beach. Shortly before the release, Troy receives an interesting offer from a friend. Troy with accomplices have to rob the pimps, drug dealers and other offenders who, in the case of a robbery, will not be able call the law. His friends whom he has known since the reform school are already waiting for him. One of them is a maniac and a cocaine user, nicknamed Mad Dog, the second, Diesel Carson, is a fixer who works for the local crime boss. Diesel and Mad Dog can’t tolerate each other not both love Troy, considering him a criminal genius.
Finding himself free, and rested a couple of days, Troy meets with his buddies, and together they drive to Los Angeles, the hometown of Troy, where they are to do a robbery (on a tip from a lawyer) of a black drug dealer. And if in this case everything goes smoothly, then for Troy and friends a series of mistakes and failures begins, and a lot of blood will be shed.
Bunker, who himself served prison time not one time, but plenty, knows what writes about, so those moments when the author describes prison life, are the most reliable and sometimes even touching. Troy itself is partly Bunker: they have in common a love of books, childhood, spent in the reform school, living in criminal circles, sharp mind. Troy, the son of a drunken doctor, began his path to lawlessness with his father, whom he nearly killed in an attempt to protect his mother. Troy is tired of prison and wants the freedom and all that it can offer. Troy would rather die from a bullet of another criminal, than the next - and last - time would be placed behind bars. The point is that each of the three friends already have two convictions, and the third, no matter how small it is, will give an offender life prison term. Therefore, the three friends must try to do everything, just not to fall into the hands of police.
The plot is a chain of "cases" that Troy and associates should work to raise such a sum, which would have sufficed almost till the end of life. And even though Troy seems to have a reliable team, everyone should keep an eye on everyone, especially on Mad Dog, who a few weeks before Troy’s release ruthlessly killed his girlfriend and her daughter. The action, however, slacks a little, and does not fly, because friends have rest between the cases.
And if the story mostly delivers the goods, Bunker’s style in some places are clumsy. In the action scenes there are not enough of a strain. Sentences are written properly, but there is no lubrication between them, and entire paragraphs crackle and creak. Yes, and dialogues in the second half of the novel are written with laziness, they do not have enough sharpness.
Bloody and desperate finale, in which you feels like in a cage which sucked all the air from, fairly concludes this novel about the brave people who chose the path of lawlessness.