Showing posts with label drugs. Show all posts
Showing posts with label drugs. Show all posts

Thursday, March 27, 2014

Prayers for the Stolen





Jennifer Clement
Prayers for the Stolen

Vintage, 2014

Protagonist, a girl named Ladydi Garcia Martínez, lives with her mother in a remote Mexican village of Guerrero in the jungle. Being a young girl in Mexico is not easy: learning about the existence of a beautiful girl, drug traffickers immediately want to kidnap her. That's why the girls' mothers make their daughters ugly, making them boy’s haircuts, putting them into second-hand clothes, banning cosmetics, and not letting anyone anywhere. In case, if the village hears the sounds of approaching traffickers’ jeeps, mothers immediately hide their daughters in a specially dug for such cases hole in the yard. These holes are in every yard.

Women in general have a harder time, especially in the absence of men. There are hardly any men in the village. A lot of men work in big cities, and those who are more gifted and more trickier leave for the United States to work there as gardeners or handymen. So it happened with Ladydi’s father, who initially worked as a bartender at a hotel in Acapulco, then moved to work in the United States, from there at first sent money to the family, and then suddenly stopped. Ladydi always loved her father, but the last time she saw him, the image of the perfect dad had been destroyed by her mother.

Ladydi’s mother, already drunk, told her daughter that her father slept with half the female population of the village. Moreover, Maria, one of Ladydi’s girldriends, is an illegitimate daughter of Ladydi’s father.

It’s hard to believe, but this seemingly full of violence story is rather funny thing. This effect is achieved due to the voice of the narrator Ladydi. Girl’s humor is a way to protect herself against the cruel world which she lives in. Ladydi that never in her life left her village and rarely went out even to the highway begins to understand the unknown world. Familiar world of school, sitting in the holes, drunken mother monologues suddenly changes. The narrator, despite the seeming naivety, is actually not dumb and quite familiar with the state of affairs in her native country. But Clement uses the literary device of keeping back, that’s why we think that we have to deal with a village idiot. Due to this, the story has a humorous tone. But the humor here is of black type, but definitely bitter. Clement through the narrator translates her vision of contemporary Mexico, which is laugh or cry.

«I only went to school until the end of primary. I was a boy most of that time. Our school was a little room down the hill. Some years teachers never showed up because they were scared to come to this part of the country. My mother said that any teacher who wanted to come here must be a drug trafficker or an idiot.»

The author uses in her novel the device of overlaying a parable and realism. All the events described are based on reality. Young girls are really abducted, hundreds a year, and many of them do not come back home. Cartels and drug traffickers are terrorizing the country where everyone is afraid. Corruption flourishes. Prisons there are not set up differently as, say, in the U.S. or Russia. But a way of telling of the story is parable. That girl is kidnapped by drug lords, that actually exist in reality, but in the story drug lords are not quite drug lords, but rather evil beings like dragons in fairy tales, abducting young girls, too. Or three servants who continue to live in an empty owner's house, when they learn of the death of the family. In Mexico, there are a lot of abandoned houses, but in the novel it looks again like a fairy tale: a girl crawles into the house of three bears and starts living there. The novel has a two-layer structure: the parable seems to blunt overall violent background, but the author never lets us forget that everything that happens happens in reality, it's not a fairy tale.

In addition to an incredibly real voice of the protagonist Ladydi, Clement created a lot of complex secondary characters. There is no unimportant characters: each has its own story, to the smallest detail real and often poignant. Clement loves her characters.

The novel’s plot is almost perfect: against a one person story we read about system of the whole country. The heroine goes through three stages: village, town and prison - and each of them exciting, and each of us will learn something new about the country and the protagonist.

Most of the characters in the book are girls and women, and it is certainly very feminine novel, but it's hard to imagine a man who would not be touched by the story - you have to be either a fool or cruel-hearted.

It will not be an exaggeration if I say that Prayers for the Stolen is the best novel about Mexico that I have ever read, better than Don Winslow’s Savages and certainly better than Lang’s Angel Baby. Extraordinary.

Friday, September 20, 2013

Half of Paradise





James Lee Burke

Half of Paradise

Hyperion, 2011 (ebook)
(originally published in 1965)

A part of Forgotten Books Friday

Three young men in Louisiana of early 60s are experiencing the difficulties of life and trying to find their place in life. Avery Broussard returned to his father's farm after work on oil wells. Father soon for debt was evicted, the farm was sold by auction, the father then dies immediately, and Avery instead of agriculture switches to the moonshine whiskey trade.

J.P. Winfield comes from the countryside to the city and spends the last five dollars to participate in the talent competition. A talented blues singer, Winfield gets a job at the club, and then even goes on a tour. Success comes to Winfield with addiction: first pills "for pleasure", and then cocaine under the tongue.

Black Toussaint Boudreaux worked as a longshoreman, moonlighting as a part-time boxer. His last fight ends with a victory, but the price of victory is a broken arm. Injury leads to loss of work (and part-time work), wandering, and then to a prison.

The debut novel by James Lee Burke's written in the not too widespread genre of "hard life of hard men". Hardships and difficulties stick to the three characters of the novel, which brings together youth, lack of education and poverty. Despite the "paradise" title , the novel tells of the circles of hell, whose name is Louisiana. Even when one of the characters starts to climb, do not assure yourself - he will drop even lower than he had been.

All three heroes, definitely clean and decent people, eventually break down. Reasons for this are drugs and alcohol, but these are external causes, the same major weakness of all three characters is their assertiveness. They rush forward not seeing that the abyss is under their feet.

Plot-wise Burke tightly packed in his novel several sub-genres: prose of the South changes to the prison novel, then to out-of-prison novel, and then to the confession of cocaine user. The central part of the novel takes place in prison: in labor camp Broussard and Boudreaux will meet. I can quote prison dialogues for hours:

"This tastes like Evans washed his socks in it," he said.

"Drink it or go dry," the trusty said.

"Fuck you, ass kisser."

"Maybe you don't get no water the rest of the day," the trusty said.

"And maybe you'll get your fucking throat slit while you're asleep," Billy Jo said.

The trusty put the lid back on the barrel. "That's all your drinking water for today."

"Let me have a drink. I'm like cotton inside, "Daddy Claxton said. ...

"You'll have the runs for a week," Billy Jo said.

"His tongue won't be blistering by one o'clock," the trusty said.

"Screw you, punk."

The dipper was passed around the gang. The trusty replaced it and the lid when they had finished.

"There's a freshwater spring over in them trees," he said. "I'm going over directly and have a drink."

"You mean there's clean water over yonder?" Jeffry said.

"It's coming right out of some rocks."

"Go fill up the water barrel. We'll pay you for it, "he said.

"What with?"

"I got three bucks hid in the barracks."

"That ain't enough."

"The sonofabitch is riding you," Billy Jo said. "Don't pay him no mind."

"It's coming out of some rocks with moss on them. '

"I believe him," Jeffry said. "This is hill country There's always springs where there's hills."

"You're in barracks two, ain't you?" Billy Jo said to the trusty. "Well, I got buddies in there, so you better forget about sleeping for the next few nights unless you want to get operated on. It takes one swipe with a knife and your whoring days are over. Now get the fuck out of here, punk. "

"It's a long day without no water," the trusty said and lifted the barrel and moved down the ditch.


Half of Paradise makes us to remember of what used to be old school prison and novels about them: no gangbangers, no Mexican gangs, no Aryans.

Burke is a confident narrator for a debutant, and it is sad that he sometimes missteps. The novel is written in the third person, but such that almost the first. The reader knows only what the character knows. But Burke sometimes adds a few sentences of what the character can not know: dialogues of the secondary characters, when the main character is already out of the room, or the actions of the characters when the main character is blindfolded.

The title of the novel could be interpreted in the sense that for a novel as this you can give a half of paradise.

Thursday, October 25, 2012

Benny Muscles In



Peter Rabe
Benny Muscles In

Prologue Books, 2012 (e-book)
(originally published in 1955)

Petty crook Benny with a funny last name Tapkow is tired of being a valet for his boss Pendleton. For seven years Benny was a driver for Pendleton, and now Benny wants to climb the criminal ladder. Only Pendleton does not want that, and when Benny shows independence, boss puts Benny into his place. Angered, Benny wants to get even with the boss, knowing his weakness, his daughter Pam, a wild thing, accustomed that her father in no way denies her wishes. Benny comes up with a plan of the kidnapping of Pam, enlisting the help of another crime boss, Big Al Alverato. But the kidnapping plan goes awry, and Benny plunges into the sea of problems.

The title «Benny Muscles In» was coined not by Rabe but his publisher. Initially the book was called «The Hook», and it is more appropriate to that history. On the surface this is a gangster novel, but in fact it is only the outer casing. «Benny Muscles In» is the story of a man who is struggling with his own emotions. To become a gangster, you need to disable feelings, and feelings are a drug, which is hard to get off. Emotions have ruined more than one gangster, Benny knows it. Hate, love, fear, and uncertainty – you need to get rid of it all. There must be only business. Struggle with feelings and emotions, that is at the heart of the book. Resort for dopers, bad kidnapping, escape from a former boss, inflating drug boss' daughter are all just Benny’s bad dream, his nightmare.

In this book there is so much sweat and dry tears, lick it, and you will feel the salt.

Wednesday, September 12, 2012

Savages



Don Winslow
Savages

Arrow Books, 2011

Ben and Chon grow marijuana. Best marijuana in California. The total market is theirs, and the money flow like water (although Ben and Chon almost doesn’t think about them). They had clashes with other drug gangs, but the conflicts were resolved quickly. Chon is a former SEAL mercenary, had participated in military operations in Afghanistan, and therefore knows how to get rid of enemies. Chong is the muscle, Ben is the brain. He is responsible for the financial side of things. Ben still obsessed with oriental scholars, engaged in charity work in third world countries, and tries to be a real Buddhist. They are both in love with the local Playgirl carefree Ophelia, whose friends call her just O. And O, in turn, is in love with Ben and Chon, not preferring one to another.

Friends enjoy life, smoke their own product, admire the beauty around. Until Chon receives an email from the Baja Cartel with the video of cut off heads. Chon and Ben risk of losing their own heads if they do not work for the cartel. And the cartel, and the head of the cartel Elena Lauter, has its own problems, so the cartel has to expand - from Mexico to California, fror hard drugs to distributing marijuana. Chon and Ben used to work for themselves and are not willing to work for someone. Friends understand that together they can not cope with an army of mercenaries. Ben wants out and to leave for for Asia, but Chon is ready to fight. During the first meeting with the cartel’s representatives Ben and Chon tell the Mexicans to go away (see the first chapter), and Elena does not like it. But the savages have to fight with wild and cruel methods.

(Ben wants peace.
Chon knows
You can't make peace with savages.)


Corrupt DEA agent gives advice to friends: «You want my advice, boys? And girl? I'll miss you, I'll miss your money, but run.» Friends do not have time to leave, and the cartel kidnaps Ophelia, and Ben and Chon are in trouble up to their necks.

Winslow tells his story playfully, provocative, inserting in the text unusual abbreviations (for example, O calls her mother Paqu - Passive Aggressive Queen of the Universe), lists (hilarious) and politically incorrect jokes. If I write that Winslow wrote his novel in poem-prose, I will be laughed at and probably will hear "You exaggerate", but in this case it is not an exaggeration. Winslow writes poetry and prose by inserting fragments of free verse in his prose.

(O's face
Lights up when she sees them
Big smile. «Hi, guys!»
Hi.
Hi.)


Antsy style helps the story to move with an exorbitant rate. Winslow throws the reader sentences like a stick to the dog – get it. And the reader is running, because he can not not to. (In this case you don’t feel yourself like a dog, Winslow avoids cheap tricks.)

The story told in the book is very rooted in reality. The author with incredible authenticity describes how a large cartel works. Winslow knows what he writes about.

At the same time, the novel is over the top, everything there is exaggerated. Cool characters, cool story, cool violence, cool villains, and if Winslow stoped somewhere between fairy tale and reality, «Savages» would have been nothing more than a mediocre action thriller, with cardboard characters and over-embellished story. But Winslow is over the top in everything, and in this lays book's success.

Drug dealing for Ben and Chon is a hobby, but this hobby brings good money. They violate the law, but you sympatize them. The more fun it was to get to the end of the book, and see how it would end. Will the author punish the heroes who are essentially criminals too, but not as brutal as the Baja Cartel, or won’t? (Personally, I was happy with the ending.) No less interesting in the novel a love triangle is. Relationship between two friends and a girl is not about the type that we see often in crime films or books. All three lovers do not envy each other. Ben doesn’t want to have Ophelia alone, Chon doesn’t as well. O also selects the two of them. It's a free love, and in that its manifestation is rarely come across in American literature (although the word "love" here does not mean platonic love, a threesome is there, all right).

Winslow wrote GONRI (Gripping Original Novel, Read It).

No
Jokes.