Monsters of Men

Patrick Ness
Monsters of Men

Walker Books, 2010

The final part of the trilogy by Patrick Ness is beginning with the war. Almost killed the president Prentiss, Todd Hewitt, already matured and discovered a huge opportunity in himself, forces to release Prentiss: the war with the Spackle is coming, and only Prentiss is capable to lead an army of people. The Spackle, a race of intelligent beings living on this planet before the people chose it for colonization, takes revenge for their genocide: the soldiers of the President slaughtered part of the Spackle population. The only survivor is The Return, as the Spackle name him. Ness, in the previous novels changing in narrative point of view between Todd and Viola, in this introduces a third narrator – the Return. So we learn how the Spackle think and what they want.

In the meantime, a reconnaissance ship arrives and the people on it, Simon and Bradley, are in favor of peace between humans and the Spackle. However, war is war, and they have to use rockets to rescue Todd upon the occurrence of the Spackle. The two camps of people, one led by the president, the other – by Mistress Coyle, understand that to join forces is the only way to win the war. Todd and Viola see the only solution in the situation of the numerical superiority of the Spackle: peace. But on the way to the peace war will make monsters of people and people of the monsters.

In the first third of the novel Ness, in the previous books perfectly plotting a story, yet manages to introduce an unexpected turn in each chapter, as if once lost his skills, making the action too slow, and the heroes are full of superficial passions, and read it all is insufferably boring. But in the second third the author seems to be illuminated that he has struck up with the preamble, and he starts on the remaining 400 pages to get out rabbit, snake, pigeon, of the hat, he gives the reader the entire set of plot gimmicks that the head is spinning. There will be unexpected return, the double final and fatal mistakes.

The previous two books were about honor, revenge, difficulties of choice, trust, this is about the transformation (we change others, but others change us, although we do not notice) and, last but not least, love and memory. Not perfectly, but, nevertheless, the author manages yet another daunting task - to show the smart alien race completely different from the people. The Spackle have the same motivations as humans, but Ness finds interesting way - gives human characteristics of the Spackle and to the Spackle human’s.

«Monsters of Men» of the entire trilogy is the most imperfect novel, but also the most daunting, most alive. Highly recommended.

The Knife of Never Letting Go

Patrick Ness
The Knife of Never Letting Go

Walker Books, 2009

THE FIRST THING you find out when yer dog learns to talk is that dogs don't got nothing much to say. About anything.
"Need a poo, Todd."
"Shut up, Manchee."
"Poo. Poo, Todd."
"I said shut it."

From the first lines of this novel (by the way, they’re very funny), we learn about the main feature of Prentisstown, the town where the protagonist of the book Todd Hewitt lives: everyone can read the thoughts of another. These thoughts are transmitted in the form of noise, incessant stream that does not stop ever, even during sleep. If someone can read someone’s minds, it does not mean that a lie disappeared from the world: Noise is called a noise that something important might be hidden behind other thoughts, make unimportant louder. So there are secrets.

Wandering through the swamp in search of berries, Todd with his dog Manchee suddenly stumble upon the silence. It simply can not be silent in Prentisstown, noise goes from all, even the insects. The silence soon turns out terrified girl, who not only doesn’t speak, but does not make Noise. Foster parents of Todd, Ben and Cillian, find out about the silence and immediately collect rucksack for Todd, give the map and send him out of town. Todd has to get to the next settlement: it turns out Prentisstown is not the only town on New World. Todd takes Manchee, the girl, too (she would have been killed by the local priest), and three of them flee to the nearest town. Behind them is a pursuit: boy Todd, who will become a man in a month, on the day of the 13th anniversary, is wanted by the mayor of Prentisstown.
«The Knife of Never Letting Go» is obviously a page-turner, with each chapter it ends so suddenly, on the most interesting place so that one must possess great strength of will to refuse to turn the page to the next chapter. There is almost no description in Ness’ book, but a lot of action. The whole book is one long chase, action-non-stop. Does this mean that the novel is brainless quest, hit-and-run? No way! Ness worked much with the language of the novel. Due to the fact that Todd can not read the words so knows language only by ear (and indeed on New World written language has been simplified, and forgotten for many), and Todd is a single narrator, the book is written in English of XIX century and English simplified, street, without a word from the depths of the dictionary.
«And are they gonna a-welcome us?»
«People are scared of what they don’t know, Todd pup,» she says, standing. «Once they know ye, the problem goes away.»

The book is all rhythmic, fast-paced; sentences often are like a machine-gun fire.
This novel is both Utopia and young adult novel at once. New World here is a kind of a planet where people came from Old World, hoping to build Garden of Eden and start all over again. But as always, some people are worse than others, and dream of paradise is crumbling. Throughout the book the author will still throw and throw new secrets, new mysteries, and clues of previous confusion of this world.
Theme of growing up in the novel is connected directly to the question: what makes a child an adult? Murder, on which everything and everyone pushes Todd? Not without reason the knife, mentioned in the book's title, plays a key role in the adventures of Todd and the choices of the future.

Patrick Ness, have written a book for children (as it presented by the publishers), actually wrote the book for all children and adults, too. This book is inventive to the last detail, affecting tears and breaking through sweat, funny, but about serious matters. And there's Story. If you think just tell the story is nothing, you're wrong.

Such a book should be picked up immediately in two copies: one on the shelf of a child, the other for himself. And it is only the first volume of the trilogy.